Zhou Documents

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Project Proposal - Mid-Night Talk on Solitary Hill

Xuan KAN 阚萱

KAN Xuan

The first page of the proposal shows several photographs of the work (with captions in both English and Chinese); and the second page consists of a drawn graphic design of the project, along with literary explanations of the project's components on the margin (In Chinese). (Jerry Wu'23).
Design Patent Request & Acceptance of Application Notice for "SoapHand"

Qiang LI 李强

These legal documents for "SoapHands" are scripted in Chinese. (Jerry Wu'23).
Artist Introduction: LI YongBin

Yong-Bin LI 李永宾

Li Yongbin

The introduction of the artist is scripted in both Chinese and English. (Jerry Wu'23).
Artist Note on "Boundary: Shelving of Non-exhibits" ("界限：非展品的搁置")

Wei-Hua NI 倪卫华

Ni Weihua

This note on Ni's work "Boundry: Shelving of Non-exhibits" is scripted in Chinese. The note includes explanatory texts and a few illustrations. (Jerry Wu'23).
Proposal: New Quotations 新的行情

Wei-Kang QIAN 钱喂康

Qian Weikang

This proposal feature a literary explanation of the work (in both Chinese and English), as well as a drawn illustration of the work (accompanied by hand-notes). Illustration of another work "Cleaning Electronic Chair 清洁的电椅” is also included on the same page as that of "New Quotations". (Jerry Wu'23).
Catalogue: REN RONG (for Städtische Galerie Delmenhorst)

Rong REN 任戎

Städtische Galerie Delmenhorst · Haus Coburg

This individual exhibition catalogue features 1) selected works of the artist, 2) an artist's introductory essay by Barbara Alms, and 3) a biographical note on Ren. The catalogue is scripted in German. (Jerry Wu'23).
Project Proposal - Renting Medium 出租媒体

Yong SHI 施勇

Shi Yong

The proposal features several graphics illustrating the installation's components. Besides the illustrations, SHI also adds some literary notes (in Chinese). (Jerry Wu'23).
Project Proposal - Amplification Site: A Cross Echoin a Private Living Space 扩音现场：一个私人生活空间的交叉回声

Yong SHI 施勇

Shi Yong

The front page of the proposal (the first page of the file) includes a few selected photographs of the artwork as well as its caption. The back side of the proposal (the second page) records the designed graphics for the artwork, along with explanatory side-notes (mainly in Chinese). (Jerry Wu'23).
Resume 2: SONG Dong

Dong SONG 宋冬

Song Dong

This resume includes a bibliographical account of SONG in both Japanese and English. An image of his work "A Command by Genghis Khan" is also included. (Jerry Wu'23).
Review: Three Cultures

Ping TAN 谭平

Sasha Grishin

This exhibition review is scripted in English. It was published in periodical "Art Monthly Australia" in 1995 (July issue). (Jerry Wu'23).
Review: On WANG GongXin's Sky of Brooklyn

Gong-Xin WANG 王功新

YI Ying

This review of GONG's work is scripted in Chinese. The article was published in journal "世界美术" in February, 1995. (Jerry Wu'23).
Review: Halle im Papierkleid

Gong-Xin WANG 王功新

This review is scripted in German. It was published in August, 1995. (Jerry Wu'23).
Review(s): Ying und Yand AND Haus aus Stein, Haut aus Papier

Gong-Xin WANG 王功新

Karin Stellwaag and Ulrich Bauer

This review compile consists of two separate reviews: "Yin und Yang" by the left half of page, and "Haus aus Stein, Haut aus Papier" at the right. Both articles were published in 1995, in August and September respectively. Hand-written notes are added by the articles' bottoms to give further citations. (Jerry Wu'23)
Exhibition Poster: New Asian Art Show - 1995

Guang-Yi WANG 王广义

Kirin Plaza Osaka

The front page of the poster (first page of the file) lists the exhibition's logistics as well as participants. The back page (second page of file) features a brief introduction to the exhibition. The poster is scripted in Japanese. (Jerry Wu'23).
Resume: WANG JianWei

Jian-Wei WANG 汪建伟

Wang JianWei

This resume of WANG is scripted in English and Chinese. Hand-written additions/amendments are added. Note that this resume is assumed to be composed in 1995 give the due date of this file's submission and the last activity in the resume listed. (Jerry Wu'23).
Resume 2: Wang JianWei

Jian-Wei WANG 汪建伟

Wang Jianwei

This brief resume of the artist is scripted in Japanese and English. Several selected works of the artist are displayed as images. (Jerry Wu'23).
Resume 3: WANG JianWei

Jian-Wei WANG 汪建伟

Wang Jianwei

This resume is scripted in English. Note that this resume is assumed to be composed in 1995 give the due date of this file's submission and the last activity listed in the resume. (Jerry Wu'23).
Resume: WANG Jin 王晋

Jin WANG 王晋

Wang Jin

This resume is scripted in Chinese. A copy of Wang's business card is attached to this entry. Note that the resume is assumed to be composed in 1995 given the due date for this file's submission and the last activity listed in the resume. (Jerry Wu'23).
Exhibition Document: WANG Qiang

Qiang WANG 王强

Qiang WANG

As one of the participants, the artist joined the Proposal Art that was titled "45 Degree as a Reason" in 1995 in China. Wang Qiang's proposal has been carried out and is printed in color on page 1. Written in Chinese and English, a brief description of the artist’s idea on “TWINS OF INSIGNIFICANT BLANKNESS”（两个相等的无意义的空白?) is printed on the left. On page 2, the artist illustrates his plan on the proposal (see additional file below). To the left, there is a graph showing a frame made by ropes that is floating in flowing water, and the right one shows a wooden frame floating on the water. (Yifan Shang 25')
Brief explanation of installation of Neighborhood 邻里装置艺术的简要说明

Sui-Kang ZHAO 赵穗康

Sui-Kang ZHAO 赵穗康

This is a printed explanation of Neighborhood, an installation created in 1995. Neighborhood is a recreation of a previous work of the artist, A Night Cerebration of Cultural Wars. There is a link of the image and description of A Night Cerebration of Cultural Wars: https://digital.kenyon.edu/zhou/371/. (He Zhang 25')
Review: In a Room of His Own: The Art of Xu Lei

Lei XU 徐累

Jeffrey Hantover

This review was written by Jeffrey Hantover, an art critic and a published poet from the U.S., in January, 1995. It discusses Xu Lei’s artistic style by examining the detailed art elements in his paintings, analyzing the historical and cultural context, and relating his work with western literature figures like "Mr. Cotigo". The reviewer tries to convey that the emptiness and stillness in Xu’s work is good for thinking, as well as showing a sense of sadness after traumatic events happened in contemporary China like the June. 4th Incident. Xu chooses to “turn his back on the world around him” and embraces the past. His work offers a world of quiet, solitude and stoicism, thus revealing his intention of “painting everyday lives with compassion” according to Hantover. (Yifan Shang ‘25)
Au bord de l'eau, 108 brigands (At the water's edge, 108 brigands)

Pei-Ming YAN 严培明

Pei-Ming Yan 严培明

The book "Au bord de l’eau, 108 brigands” is written in French and contains images of 120 large-scale, black-and-white portraits painted by Yan Pei-Ming, a Chinese artist who has lived and worked in France since 1981. The book is published by the Pays de la Loire Regional Contemporary Art Fund (FRAC), operating from the Museum Leon Dierx in Saint-Denis, Réunion Island, a department of France in the Indian Ocean. Yan’s portraits reference the Chinese literary classic “Au bord de l’eau” (at the water’s edge), an epic novel told in 120 chapters depicting the crimes committed by 108 brigands. This oeuvre of paintings was executed during Ming (Yan is his family name) ’s stay at the French Academy in Rome (Villa Médicis) in 1993. The portraits of 108 brigands are depictions of people he has seen or met at Villa Médicis, including friends, acquaintances, and often himself. The artist has spoken of creating anti-portraits or “anonymous portraits” – portraits that are supposed to look like no one in particular at all (we usually say "unidentifiable"), representing the average person. “But most impressive and significant is that Ming (Yan is family name), in constructing his “pantheon”, revealed remarkable insight into the dialect between the “portrait” and the “anti-portrait”, shedding light on urgent and complex questions relating to the art and life, history and reality, cultural differences and exchanges”. “It is true that the characters in this series are individuals that Ming (Yan) himself knew and met. However, the “reality” of their portraits, once subjected to the definition of the “brigands”, becomes almost fictitious, if not legendary” (Hou Hanru, 18). The book includes a series of introductions. First, a preface by Ponthus Hulten, a Swedish art collector and museum director. Then, “Le Chinois” (The Chinese) by author Michel Enrici, which is followed by an introduction titled “L’anti-portait de Ming” (The Anti-Portrait by Ming) by Chinese art curator and critic, Hou Hanru. Finally the series concludes with “Le brigand collectif” (The brigand collection) by art historian Florens Deuchler. Additional Sources: Hanru, Hou. “L’anti-Portrait de Ming.” Au Bord de l’eau, 108 Brigands , Fonds Régional d’art Contemporain Des Pays de La Loire, Nantes, Musée Léon Dierx, Saint-Denis de La Réunion, 1995, pp. 15–19. https://www.estuaire.info/en/oeuvre/108-brigands-yan-pei-ming/ (Nicole Wang ‘26)
Resume: Yang Jun 杨君

Jun YANG 杨君

This is Yang Jun's resume from the 1995 New Asian Art Show. His brief educational background and exhibition experience up until 1995 are on the left side of this paper, while one of his collage of photos is on the right. (Zhuocheng Jiang '26)
A STORY OF TWO AND A HALF WEEKS MODERN ART EXHIBITION OF YANG KEQIN

Ke-Qin YANG 杨克勤

Yang Ke-Qin

This pamphlet is an invitation to Yang Ke-Qin's solo exhibit "Story of Two and a Half Weeks". The pamphlet includes 'Words of the Artist', the artist's resume, an English translation of her resume, and preview images of paintings shown in the exhibit. In the English translation of the artist's resume. the translator mistakenly translates “水龙头系列三” and "水龙头系列之七" into "Water Pipes, No. 3". and "Water Pipes, No.7". This is incorrect. The correct translations are "Faucet, Series 3" and "Faucet, Series 7". “龙头”, meaning faucet, directly translates into English as "lion head". (Nicole Wang '26).
雄狮美术 ( "Review on the 'Exhibition of Yang Ke-qin Oil Painting)

Ke-Qin YANG 杨克勤

This article is a review on the show of artist Yang Ke-Qin's oil painting, by Heng Yong-Ban published on "Hsiung Shih Art Monthly," issue 287, Jan. 1995, Taipei. See the work "Bottles" at : https://digital.kenyon.edu/zhou/456/, "Faucet painting 2" at : https://digital.kenyon.edu/zhou/450/ (Nicole Wang '26)