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Review: A Gusty Dialogue Kept in Balance
Ping TAN 谭平
Anna Clabburn
This printed exhibition review is scripted in English. Several pen/pencil marks are added for emphasis purposes. (Jerry Wu'23).
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Artist Note: My Concept of Action Art 我的行为概念
Jin-Song WANG 王劲松
Wang JinSong
This brief note on his action art is scripted in Chinese. (Jerry Wu'23).
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Review: The Hurricane Movement of Chinese Modern Art 中国现代艺术的狂飙运动
Jin WANG 王晋
Wang Xueyu
The review is located at the top-left corner of the newspaper. The document is scripted in Chinese. (Jerry Wu'23).
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Portfolio: SONG Yong-Hong: Burning Realities 宋永红：灼热的现实
Yong-Hong SONG 宋永红
Hanart TZ Gallery
This Portfolio features 1) numerous essays on the artist (in both Chinese and English); 2) images of the artist's selected works (with captions); and 3) a brief bibliographical account of the artist. (Jerry Wu'23).
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Review: Letzte Kunstausstellung in der Halle 10 der Reinhardtkaserne (Last art Exhibition in Halle 10 der Reinhardtkaserne)
Gong-Xin WANG 王功新
This review is scripted in German. (Jerry Wu'23).
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Review: Grenzgänger zwischen Ost und West (Cross-border Commuters Between East and West)
Gong-Xin WANG 王功新
This review is scripted in German. It was published on newspaper "Ludwigsburger Kreiszeitung" in 1995. (Jerry Wu'23).
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Review: Juggler of Systems
Wei GUAN 关伟
Judy Annear
This review is scripted in English. It was published in Asian Art News in 1995 (October/November issue) (P.54-55). (Jerry Wu'23).
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Review: Naked Performative Arts on the Ground
Liu-Ming MA 马六明
LIN Kehuan
This review on MA Liuming is scripted in (traditional) Chinese. It was published in "ChengPin Read （诚品阅读）” in October, 1995. (Jerry Wu'23).
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Essay: Sky Scrapers
Bo NIU 牛波
Mark Stevens
This article is scripted in English. Texts relevant to the artist have been highlighted or squared. The essay was published in the "New York" magazine in 1995. (Jerry Wu'23).
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Correspondence: FANG Lijun to ZHOU Yan about gallery information
Li-jun FANG 方力钧
FANG Lijun
This letter is majorly scripted in English.
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Project Proposal - 2000 Manipulator
Zhong-Wang FU 傅中望
FU Zhong Wang
This proposal includes (1) an instructive manual of the work, (2) a project narrative proposal, and (3) a selected bibliography of FU Zhong Wang. The proposal is scripted in Chinese. Some editorial marks are added by pen mark. (Jerry Wu'23).
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Li Tianyuan
Tian-yuan LI 李天元
This pamphlet, picturing Li Tianyuan’s “Waltz” (1993), details his resume from 1989 to 1996. A short biographical timeline is also included. Based on the information provided, this document was likely created in 1996. (Russ, Hannah ‘18)
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Artwork Label: Celebrating the World
Zhen CHEN 陈箴
CHEN Zhen and ZHOU Yan
The labels of "Celebrating the World" are documented in two languages: in Chinese as was wrote by artist CHEN Zhen himself (page one of the document), and in English as was later translated by ZHOU Yan (page two of the document). (Jerry Wu'23).
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Project Plan - Celebrating the World
Zhen CHEN 陈箴
CHEN Zhen
This hand-drawn project plan is constituted by graphic designs of the work (with measurements captioned) and explanatory notes on the side of the graphics (in both languages of Chinese and English). (Jerry Wu'23).
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Project Plan - Gold as the Main of the 36 stratagem
Zhen CHEN 陈箴
Two drafts of the project are included in this compile. Each of them is composed of a graphic design of the work that follows literary explanations (in Chinese). (Jerry Wu'23).
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Review: Elegant Space - Tatehata
Li-jun FANG 方力钧
Tatehata Akira
The essay(s) is(are) excerpted from the catalogue "Fang Lijun: Human Images in an Uncertain Age", of which the cover and publisher pages are attached to this entry. The review is scripted in both Japanese and English (translated by Stanley N. Anderson). The catalogue images which the review may refers to are also included in this entry for your convenience. (Jerry Wu'23).
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Review: FANG Lijun and Cynical Realism - LI Xiangting
Li-jun FANG 方力钧
LI Xiangting
The essay(s) is(are) excerpted from the catalogue "Fang Lijun: Human Images in an Uncertain Age", of which the cover and publisher pages are attached to this entry. The review is scripted in both Japanese (translated by Akiyama Tamako) and English. The catalogue images which the review may refers to are also included in this entry for your convenience. (Jerry Wu'23).
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Review: FANG Lijun and His Art - Per Hovdenakk
Li-jun FANG 方力钧
Per Hovdenakk
The essay(s) is(are) excerpted from the catalogue "Fang Lijun: Human Images in an Uncertain Age", of which the cover and publisher pages are attached to this entry. The review is scripted in both Japanese and English (translated by Yoshinob Shimazaki). The catalogue images which the review may refers to are also included in this entry for your convenience. (Jerry Wu'23).
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Selected Biography - FANG Lijun
Li-jun FANG 方力钧
The selected biography is excerpted from the catalogue "Fang Lijun: Human Images in an Uncertain Age", of which the cover and publisher pages are attached to this entry. The review is scripted in English. (Jerry Wu'23).
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Autobiographical Account: FANG Lijun
Li-jun FANG 方力钧
FANG Lijun
The autobiography by FANG Lijun is excerpted from the catalogue "Fang Lijun: Human Images in an Uncertain Age", of which the cover and publisher pages are attached to this entry. The review is scripted in both Japanese (translated by Tamako Akiyama) and English. The catalogue images which the autobiography may refers to are also included in this entry for your convenience. (Jerry Wu'23).
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Bibliography and Artist Statement: LIU Da Hong
Da-Hong LIU 刘大鸿
This bibliography + artist statement is scripted in Chinese. It was published in "Fine Art Literature （美术文献）" in December 1996. (Jerry Wu'23).
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Artist Statement: LIU Da Hong
Da-Hong LIU 刘大鸿
LIU Dahong
This artist note is scripted majorly in Chinese. (Jerry Wu'23).
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Review: Bo Niu at Z Gallery
Bo NIU 牛波
This review was published in "Asian Art News" in 1996 (Volume 6, No. 1) (Jerry Wu'23).
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Review: Art in Space (review on work Space Atelier)
Bo NIU 牛波
Daniel H. OU
The texts relevant to Niu Bo is squared by highlighter. The review was published in the "A. Magazine" in 1996 (June/July). (Jerry Wu'23).
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