-
Review: Guan Wei at Hanart T Z Gallery
Wei GUAN 关伟
Ian Findlay
This review is scripted in English. It was published in Asian Art News in 1996 (March/April issue). (Jerry Wu'23).
-
Exhibition Invitation: A Tale of Two Rooms and a Blind Man
Bo NIU 牛波
Z Gallery
The first page of the file displays the front side of the invitation card, and the second page shows the back. An explanation of the card is attached to this document entry (scripted by Z Gallery). (Jerry Wu'23).
-
Correspondence: QIU Ping to Julia Turrell on Recent Two Works and the Upcoming Guggenheim Exhibition
Ping QIU 邱萍
Qiu Ping
The second page of the file corresponds to the back of the original letter. (Jerry Wu'23).
-
Essay: Old China Hands
Bo NIU 牛波
Mark Stevens
The article is scripted in English. Texts related to the artist Niu Bo is either highlighted or squared. The essay was published in the "New York" magazine in 1996.
-
Correspondence: HOU Wenyi to Julia TURRELL on Artworks Submission
Wen-Yi HOU 侯文怡
HOU Wenyi
This letter is hand-written and is scripted in English. The page-order of the letter is indicated by the parenthesized numbers by either the bottom or top-right corners of the pages. (Jerry Wu'23).
-
Correspondence: HOU Wenyi to ZHOU Yan on Artworks Submission and Explanation
Wen-Yi HOU 侯文怡
HOU Wenyi
This letter is hand-written and is scripted in Chinese. (Jerry Wu'23).
-
Correspondence: FENG Mengbo to ZHOU Yan about Project "My Private Album"
Meng-bo FENG 冯梦波
FENG Mengbo
This letter is scripted in primarily in Chinese. Aside from a hand-written signature, other texts are digitally printed. (Jerry Wu'23).
-
Correspondence: HUANG Yong Ping to Julia Turell about Submission of Work to the Guggenheim Exhibition China: 5000 Years (1998)
Yong-Ping HUANG 黄永砯
HUANG Yong Ping
This letter is hand-written and is composed primarily in Chinese (some titles of works are written in their French original). (Jerry Wu'23).
-
Correspondence: GENG Jian Yi to ZHOU Yan about the Exhibition in Guggenheim Museum of Art
Jian-Yi GENG 耿建翌
GENG Jian Yi
This letter is scripted in Chinese and is hand-written. (Jerry Wu'23).
-
Correspondence: FENG Mengbo to ZHOU Yan about Future Plans for "My Private Album"
Meng-bo FENG 冯梦波
FENG Mengbo
This letter is scripted majorly in Chinese and is hand-written. (Jerry Wu'23).
-
Correspondence: CHEN Zhen to ZHOU Yan (about work(s) progress)
Zhen CHEN 陈箴
CHEN Zhen
This letter is (mainly) scripted in Chinese. (Jerry Wu'23).
-
(Preliminary) Project Proposal -- (Plans after) the "Round Table"
Zhen CHEN 陈箴
CHEN Zhen
This preliminary proposal is hand-written and is scripted in Chinese. Editorial traces are still visible in this text piece (Insertion of added words, mark-offs, for examples). (Jerry Wu'23).
-
Correspondence: GUAN Wei to Julia TURRELL about an Exhibition Preparation
Wei GUAN 关伟
GUAN Wei
This letter is scripted in English. Besides a hand-noted signature, other texts are printed. (Jerry Wu'23).
-
AGEPASS - Project Plan
Qiang CHEN 陈强
This document is scripted in Chinese. The ending page is an image of the project plan. (Jerry Wu'23).
-
Correspondence: HUANG Yan to ZHOU Yan about Posting/Shipping Art and Action Art "Medicine"
Yan HUANG 黄岩
HUANG Yan
This letter is printed and is scripted in Chinese. (Jerry Wu'23).
-
Review: Spirit-Man Guan Wei
Wei GUAN 关伟
Evelyn Juers
This review is scripted in English. It was published in journal Art and Australia in Autumn 1995 (Volume 33, No. 3, P.431). (Jerry Wu'23).
-
Cultural Collapse and Contemporary Chinese Art
Xian-Ting LI 栗宪庭
LI Xianting
This essay is scripted in Chinese. The hand-written notes (by the beginning and the end of this essay) in the article are notes to the translator (to English) of this article; they are not pertinent to the body of the writing. (Jerry Wu'23).
-
Correspondence: GENG Jian Yi to ZHOU Yan on Delay of Materials for the Guggenheim Exhibition
Jian-Yi GENG 耿建翌
GENG Jian Yi
This letter is scripted in Chinese and is hand-written. (Jerry Wu'23).
-
Project Proposals - Five Selected Works (see description for details)
Zhen CHEN 陈箴
CHEN Zhen
This proposal-compile includes a hand-written introduction (in Chinese) of five projects: "Round Table", "Daily Incantation", "Field of Waste", "37 oC, Human Body Temperature", and "Celebrating the World". Each proposal has attached an image of the work by the end of the file (the images are assigned a number by the bottom right to match the order of their corresponding proposals). A letter from CHEN Zhen (the artist) to ZHOU Yan which explains the sending of this compile is also attached to this entry for your convenience. (Jerry Wu'23).
-
Project Proposal - One Pedestal For Two Antipodal Tables
Zhen CHEN 陈箴
CHEN Zhen
A graphic draft of the work (with accompanying notes and measurements) is included by the end of the proposal. A letter from CHEN Zhen (the artist) to ZHOU Yan which explains the sending of this proposal is also attached to this entry for your convenience. (Jerry Wu'23).
-
Cultural Melting Bath: Meet the Artist
Guo-Qiang CAI 蔡国强
This pamphlet from 1997 details the hours and location of the Queens Museum of Art as well as an upcoming event for the Contemporary Currents exhibition. The event, “Meet the Artist,” was a program in conjunction with Cai Guo-qiang’s exhibition, "Cultural Melting Bath: Projects for the 20th Century." The program included a panel discussion with the artist, Cai Guo-qiang, and various other directors and consultants associated with the museum, followed by a reception and bathing demonstration. (Russ, Hannah '18)
-
Queens Museum of Art News Release
Guo-Qiang CAI 蔡国强
This Queens Museum of Art news release details Cai Guo-qiang’s debuted work, "Cultural Melting Bath: Projects for the 20th Century," as well as corresponding programs. His work appeared as part of the museum's ongoing series, Contemporary Currents from August 1 to October 26, 1997. (Russ, Hannah '18)
-
Cultural Melting Bath: Projects for the 20th Century
Guo-Qiang CAI 蔡国强
Jane Farver
Prior to Farver's article is the cover of the source and the information regarding the publisher (Queens Museum of Art). (Jerry Wu'23).
-
Heaven.Earth.Human: Through the Imagination of Fire, Water, and....
Guo-Qiang CAI 蔡国强
Reiko Tomii
Prior to Reiko Tomii's article are the cover of the source and the information regarding the publisher (Queens Museum of Art). (Jerry Wu'23).
Printing is not supported at the primary Gallery Thumbnail page. Please first navigate to a specific Image before printing.
