Zhou Documents

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Review: Pop Goes Political - Chinese Political Pop Recalls 1960s American Pop Art

Hao HONG 洪浩

Scarlet Cheng

This (partial) review is only an excerpt of Cheng's entire article -- the part concerns Hong Hao's works. It is scripted in English and was published in Asian Art News in 1993 (Jan./Feb., volume 8, No. 1). (Jerry Wu'23).
Exhibition Introduction: China's New Art, Post-1989

Hao HONG 洪浩

This exhibition introduction is scripted in both Chinese (traditional) and English. It was published in Artslink in 1993 (Feb. issue, Volume 2, No. 10). (Jerry Wu'23).
Artist Note: Some Notes about my (HU JianPing) Works in Exhibitions

Jian-Ping HU 胡建平

HU Jianping and WU Liang

The notes are scripted in Chinese (both simplified and traditional). The traditional Chinese version was published in journal Art Currents. (Jerry Wu'23).
Essay: Painters in Studio - about Shanghai Avant-Garde Art

Jian-Ping HU 胡建平

WU Liang

This essay is scripted in Chinese. The section of the essay concerns HU JianPing has been marked out by a square of marker. The article was published in Art Current in 1993 (volume 2). (Jerry Wu'23).
Catalogue: LI Tianyan Art Exhibition

Tian-Yuan LI 李天元

This catalogue features images of LI Tianyuan's works (with caption in Chinese) in the exhibition, in either colored or monochromatic prints. The catalogue also includes reviews and essays (majorly in Chinese) by Chinese scholars like SHAO Dajian, CHEN Zui, YIN Shuangxi, GUAN Ren, ZHANG Weiguo, and Swedish scholar Nils Olof Ecricsson (essay in both Chinese and English). (Jerry Wu'23).
LIN YiLin and CHEN ShaoXiong in Conversation

Yi-Lin LIN 林一林

The conversation between the two artists is recorded in Chinese. It was published in "GuangDong Artists" in January 1993 (issue 1). (Jerry Wu'23).
Exhibition Pamphlet: Mass Consumption

Jian REN 任戬

This exhibition brochure mainly features 1) an introduction on artist Ren Jian, 2) a brief essay on commercial art, 3) three (3) reports of the project, and (4) a note on the exhibition setting. The document is scripted in Chinese (traditional). (Jerry Wu'23).
Exhibition Pamphlet: 1993 The Two Attitudes of Identity 93形象的两次态度

Yong SHI 施勇 and Wei-Kang QIAN 钱喂康

This exhibition pamphlet features 1) selected works from the two artists -- Qian Weikang and Shi Yong; 2) brief introductions to the two artist; and 3) An explanatory note of the works displayed. The pamphlet is scripted in both English and Chinese. (Jerry Wu'23).
Exhibition Pamphlet: The First Asia-Pacific of Contemporary Art Triennial

Liang SUN 孙良

Queensland Art Gallery

This exhibition pamphlet includes portraits of the artists engaged, and a brief introductory essay by LI Xu on the artist SUN Liang. (Jerry Wu'23).
Essay: TAN Ping Copper Engravings: Order and Contingency 谭平铜版画：时序和偶然

Ping TAN 谭平

Mei MoSheng

This printed essay on TAN Ping is scripted in Chinese. Highlighter marks have been applied to emphasize. At the conclusion of the essay, a brief introduction of the artist is featured. The article was published in journal "美术研究" in 1994 (issue 3). (Jerry Wu'23).
Project Proposal: Accident -- Process and State 事件 -- 过程，状态

Jian-Wei WANG 汪建伟

Gallery 13 and Wang Jianwei

This proposal explains the work from five perspectives: 1) basic structure and model, 2) basic procedure illustration, 3) programs in the work and their functions, 4) Detailed procedure of the work and states remarks, and 5), end notes. The proposal is scripted in Chinese. (Jerry Wu'23).
Artist Note: Event -- Process and States 事件 -- 过程，状态

Jian-Wei WANG 汪建伟

Wang JianWei

This brief note on the artworks is scripted in English. (Jerry Wu'23).
Artist Note: Documents, Events 文件，事件

Jian-Wei WANG 汪建伟

Wang JianWei

This artwork introduction is scripted in English. (Jerry Wu'23).
Artist Note: Documents, Events (2) 文件，事件（第二份说明）

Jian-Wei WANG 汪建伟

Wang JianWei

This brief note touches on the theme of work "Documents, Events" ("The Grey System"). The note is scripted in English. (Jerry Wu'23).
Pattern of the Contemporary Art: Dialogue Between LIN YiLin and CHEN ShaoXiong

Yi-Lin LIN 林一林

This conversation between LIN YiLin and CHEN ShaoXiong is recorded in Chinese; it was published in "GuangDong Artists" in April 1993. (Jerry Wu'23).
Essay: Thoughts about Post-Modernity -- A Letter to Ren Jian

Jian REN 任戬

Gao Minglu

This essay takes form as an intended letter to artist Ren Jian. It is scripted mainly in Chinese -- some terms are translated into English. The letter-essay was published in journal "Twenty-First Century Bimonthly" published by The Chinese University of Hong Kong in August, 1993 (No. 18). (Jerry Wu'23).
Essay: About Art Plan "New Structures" -- on the Developments of "Experimental Cognizance" 新架构 -- 关于综合意义的“实验认识”的发展建构

Jian-Wei WANG 汪建伟

Wang Jianwei

The essay is scripted in Chinese. (Jerry Wu'23).
Review: The Figures' histories, Their Emergences, and Purity - HU JianPing's "Paper-man on Walls"

Jian-Ping HU 胡建平

WU Liang

This review is scripted in Chinese. (Jerry Wu'23).
Inspirations from FU Zhong Wang's "Mortise and Tenon Structure" Sculptures

Zhong-Wang FU 傅中望

ZHU Bin

This essay is scripted in Chinese. It was published by Henan Art in the portfolio "Fu Zhong Wang's Art". (Jerry Wu'23).
Interview Record Between FU Zhong Wang and PENG De

Zhong-Wang FU 傅中望

PENG De

This interview record is scripted in Chinese. It was published in "Art Scholarships" in 1994 (volume 1). (Jerry Wu'23).
Mutual Choice, Mutual Destructure -- On FU Zhong Wang's "Mortise and Tenon Structure"

Zhong-Wang FU 傅中望

LU Hong

This essay is scripted in Chinese. (Jerry Wu'23).
Essay: Five Hours of a 1000 Yuan Worth Allegory of Love

Tan XU 徐坦

Monica Dematte

This document was scripted in English by Monica Dematte on December 22nd, 1993 in Guangzhou, China. It discussed the third art event, which happened on November 24th, 1993, by the “Big Tail Elephant” group. The activity consisted of “Five Hours” by Chen Shaoxiong, “Allegory of Love” by Xu Tan, and “100 pieces and 1000 pieces” by Lin Yilin. Dematte talked about the meaning, the artistic significance, the response of the public, and the correlations among these three works in the essay. She concluded by pointing out that the “Big Tail Elephant” group’s goal of art-making was to create an imperfect, yet forceful artwork. (Yifan Shang ‘25)
Project Plan - Ceiling

Shao-Ping CHEN陈少平

This proposal takes form of postcard: the front side (first page of the document) registers a sketch of the project, and the back side (second page of the document) writes a textual description of the project. Both languages of English AND Chinese are included in this proposal (the front side may contain untranslated Chinese). (Jerry Wu'23).
Exhibition Pamphlet: The Exhibition of Fu Zhongwang Arts' Works

Zhong-Wang FU 傅中望

This pamphlet includes a cover, two highlights of Fu's works exhibited, and a brief bibliography by the end (in English and Chinese). Some hand-written notes (in the bibliography) are appended to elaborate on the original texts. While the first and last pages in the file show the outer pages of the pamphlet (covers), the second and third pages correspond to the folded inner pages of the pamphlet. (Jerry Wu'23).
Review: Relation and Arts of Relation

Zhong-Wang FU 傅中望

FU Zhong Wang

This self-written review of his works by FU Zhong Wang is scripted in Chinese. It was published in ChuTian Magazine in 1994 (volume 2). A selected bibliography of FU is also included. (Jerry Wu'23),