Zhou Yan Contemporary Chinese Art Archive 周彦当代中国艺术档案
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The artist takes the tradition of European iconography as a reference, drawing on religious painting from the late Middle Ages to the Renaissance, such as the "enthroned Madonna", "the Virgin and Child", and "Saint Francis receiving the stigmata". The artist keeps the figures, architecture, and spatial structure of the originals and redraws them in gold lines on a black ground. Additionally, he inserts multidimensional geometric forms and imaginary creatures of his own invention. They appear in the Virgin's arms, in the sky toward which a saint gazes, at the center of the altar, replacing or intervening in the divine focal point of each image. It creates a new way of thinking about high-dimensional life existing in parallel universes. (Angela Tan '28)
Geometric Radiance 几何灵光 135.7cm×135.3cm.jpg (300 kB)
Geometric Sages 几何圣贤 135cm×96cm.jpg (1128 kB)
Geometry in the Dark Night 暗夜几何 71.5cm×96cm.jpg (671 kB)
Latitude Flash 纬度闪现 62.5cm×102cm .jpg (1413 kB)
Prayer for Peace 祈安 121.5cm×123.5cm.jpg (579 kB)
Prophetic Geometry 先知几何 119.5x129.5cm.jpg (722 kB)
Sacred Geometry and the Virgin and Child 神圣几何与圣母子 95.5cm×68.5cm.jpg (1047 kB)
The Birth of Sacred Geometry 神圣几何的诞生 137.5x204.5cm.jpg (485 kB)
Diptych of Federico da Montefeltro and Battista Sforza (Original Artwork named).jpg (354 kB)
Madonna Enthroned (Original Artwork named).jpg (1164 kB)
Presentation of the Christ Child in the Temple (Original Artwork named).jpg (912 kB)
Saint George and the Dragon (Original Artwork named).jpg (448 kB)
The dream of Jacob (Original Artwork named).jpg (605 kB)
The Martyrdom of Saint Erasmus (Original Artwork named).jpg (297 kB)
