Preview
![image preview](https://digital.kenyon.edu/arthistorystudycollection/2321/preview.jpg)
Creation Date
6th–12th century
Geography
Eastern Mediterranean; perhaps Thessaloniki, Greece
Culture
Byzantine
Medium
Bronze
Dimensions
3 1/2 x 3 9/16 x 1/16 in. (8.9 x 9.0 x 0.2 cm)
2.0 oz. (57.7 g)
Credit Line
Bequest of David P. Harris ('46), 2020
Accession Number
2020.307
Provenance
Purchased by David P. Harris from E. Gazarossian & E. Vitali in Athens, Greece on April 7, 1973. Said to have been found in Thessaloniki.
Condition
The two finals on the right arm and one on the upper arm have been broken off. The lower arm is half of its original length and was broken at the intersection with the cross-arm. This break has been mended by a piece of metal attached to the cross by rivets.
Signatures, Inscriptions, and Markings
ΜΗΡΘV
Μή(τη)ρ Θ(εο)ῦ
"Mother of God"
Description
This cross fragment features an inscription reading ΜΗΡΘV (Μήτηρ Θεοῦ), Greek for "Mother of God". Below the inscription is a carving of the Virgin Mary, centered on the cross with her arms outstretched. The Virgin in an orant, or praying position, was intended to intercede for the owner, offering divine mediation.
The cross has suffered considerable damage. The lower arm is now lost; three of the finial discs appear to have been broken off, and the outer edges of each of the three remaining arms have jagged grooves. At some point, a repair was made to the cross. The fragmented lower arm was reattached to the upper half of the cross by a plate mounted by two anchors.
This cross may have been used in processions. Byzantine churches often had several types of processional crosses that were held by the clergy during ceremonies. Some processional crosses were also left as votive offerings and found in small, private religious foundations. Since our cross is small, made of a comparatively inexpensive material, not heavily adorned, and made from a mold, it could have been an object that was accessible to many people of any social standing.
A larger, gilded processional cross, now at the Royal Ontario Museum (no. 994.220.11), features similar Virgin Mary iconography. While this cross is of higher quality and the inscription shows the personalization that the Byzantines gave their votive crosses, our cross fragment was no less personal or cared for. The repair to the cross suggests it had a long life with many owners who each bestowed the cross with different meanings, and required of it different intent. Setting aside any modern notions of quality of aesthetics, we are able to see in these repairs what a mass-produced cross such as this can tell us about human engagement with it.
Sources Consulted
John A. Cotsonis, Byzantine Figural Processional Crosses (Washington, DC: Dumbarton Oaks Research Library and Collection, 1994).
Helen C. Evans, and William D. Wixom, eds., The Glory of Byzantium: Art and Culture of the Middle Byzantine Era, A.D. 843-1261 (New York: Metropolitan Museum of Art, 1997).
Liz James, “Senses and Sensibility in Byzantium,” Art History 27 (2004): 522–537.
Anna Kartsonis, “The Responding Icon,” in Heaven on Earth: Art and the Church in Byzantium, ed. Linda Safran (University Park, PA: The Pennsylvania State University Press, 1998). 58–80.
Asen Kirin, ed. Sacred Art, Secular Context: Objects of Art from the Byzantine Collection of Dumbarton Oaks, Washington, DC (Athens, GA: Georgia Museum of Art, 2005).
Eunice Dauterman Maguire, Henry Maguire, and Maggie J. Duncan-Flowers, Art and Holy Powers in the Early Christian House (Urbana: Krannert Art Museum, University of Illinois at Urbana-Champaign, 1989).
Karen Sonik, “Pictorial Mythology and Narrative in the Ancient Near East,” in Critical Approaches to Ancient Near Eastern Art, eds. Brian A. Brown, and Marian H. Feldman (Boston: De Gruyter, 2013), 265–293.
Catalina Mendivil ('24) for ARHS 110 Introduction to Western Art (Spring 2021).
Purchase Receipt and Supporting Documents
2020.307-back.JPG (4408 kB)
Reverse view
2020.307-oblique.JPG (4392 kB)
Oblique view
2020.307-scale.JPG (4475 kB)
Scale Comparison