“Forgetting the dead would be akin to killing the victims a second time”
— Elie Wiesel
Holocaust historian Wendy Lower's The Ravine: A Family, A Photograph, A Holocaust Massacre Revealed describes her search to discover the identities of a Jewish mother and her two children, photographed at the edge of a ravine during a mass execution of Jews on the outskirts of the Ukrainian town of Miropol in 1941. The shooters were German officers and Ukrainian militia, seen holding their rifles in position. The mother is seen hovering on the edge of the ravine, her outstretched hand gripping the hand of her son, pulling him closer to her. Her young daughter is barely perceptible as she is curled within the folds of her mother’s dress, partially hidden by the wreath of smoke from the guns fired by the shooters at close range. The photograph seems to reveal a terrifying yet intimate moment wherein the mother, resigned to her fate at the hands of the murderers, yet fully embracing her role as mother, comforting her children, doing her best to relieve their terror and confusion as much as her own, and holding them close for the last time for the descent together into the ravine - a fleeting moment of intimacy and depthless love that she would steal from the murderers’ agenda. However comforting, this interpretation may not entirely hold against the realization that the shooters would simply not care to waste bullets on children as they would likely perish after falling into the pit, buried under lime and soil.
Dr. Lower’s quest to find the names of this mother and children would take ten years with travels to several countries, employing her expertise in archival and forensic research; utilizing surveys of mass gravesites and Yad Vashem’s Pages of Testimony; and gathering witness testimony and oral history. She would find the precise location of the ravine in the photograph where the massacre occurred. She would as well learn the identity of the photographer - a Slovakian in the resistance movement - and sees this photograph and possibly others that he would send to his wife who could forward them to the appropriate authorities for use as possible evidentiary material; an expression of defiance on his part. Indeed, the identities of the German and Ukrainian shooters would eventually become known, and they would receive the justice they deserved in the years after World War II. However, she was unable to find the names of the mother and her children. In such “Aktions,” the identity of most of the Jewish victims would be lost to history.
Dr. Lower describes her work as a form of defiance, a seeking after “historical justice” for the victims of the Holocaust, a personal war against the Nazi agenda to not only murder Jews, but to obliterate Jewish history and Jewish memory. It is impossible to read The Ravine and not recall Isaiah (56:5): “I will give a memorial and an everlasting name to those Jewish martyrs who have no one to carry their names after death.”
It is important to note that scholarly opinion varies as to whether studying such “atrocity” photos is appropriate. Jewish families of loved ones murdered by the Nazis might not wish them to be seen in this light, believing it a desecration of memory, and thus a perpetuation of victimization. Dr. Lower argues, however, that her work is morally and ethically grounded, and that far from displaying irreverence or disrespect by making such “atrocity" photographs public, researching these photographs can provide the historical context of the horror depicted and may increase awareness and promote deliberative discussion regarding what Jews were forced to endure at a time when most nations turned away and little assistance was forthcoming. Calling attention to victimization and suffering can honor victims, as well as mitigate collective amnesia and “distortions of the historical record” by antisemites, Holocaust deniers, and neo-Nazis, thereby promoting social justice.
Contextualizing such images increases awareness of what the rise of the Nazi regime and their confederate nations and other collaborators portended for the Jews of Europe. Gratuitous sadism and moral depravity toward Jews existed from the beginning of the Third Reich. Public humiliation and dehumanization of Jews was fuel for Nazis: cutting off the beards of Eastern European Jews in public displays with scissors or knives; inducing Jews to eat grass in parks; forcing old men to play “leapfrog” with one another or do calisthenics to exhaustion or perform forced labor under gruesome conditions. Multimedia advertising campaigns routinely inveighed against Jews, referring to them as subhuman Untermensch, as pedophiles and thieves poisoning the blood of Germans. The relentless rolling out of edicts and laws - nucleated by the Nuremberg race laws of 1935 - reduced Jews’ civil and political rights, depriving them of citizenship and the ability to earn a living: their property and businesses would be expropriated, sold to Germans for far less than they were worth. Crowded ghettos closed to the outside world where exposure to the elements, starvation diets, poor housing, lack of proper sanitation and medical care would only confirm the Germans' perception of Jews as disease-ridden vermin. By the time Jews were placed in concentration camps they no longer had names - only numbers. This slow, deliberate, systematic objectification of Jews - treating them as “things,” mere objects of the Nazi will without inherent dignity or agency, deployed only for their “use value” for the sole benefit of Hitler’s Germans who would endeavor to erase the nearly-4000 years of Jewish history on this earth.
--Michael D. Bulmash, K1966
Browse the Bulmash Family Holocaust Collection.
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Illustrating the Persecution of Civilians in Poland
2012.1.399
Black and white photograph of a man shaving the beard of a man as men in uniform surround them. Back includes pasted news clipping.
Information Provided by Michael D. Bulmash:
Soldiers enjoy humiliating a Jewish man by shaving his beard.
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Men Assembled in Preparation for Execution
2015.2.9a
Front: Greyed black and white photograph of cold, underdressed men huddled together in a group. Barracks in the background.
Information Provided by Michael D. Bulmash: An especially rare and graphic candid photograph with deckled edges. A large group of men, herded together, almost all bearded, clearly not dressed for the cold weather and a few bare-footed, facing forward. Various barracks-like structures lie several hundred yards behind them. Such photos were strictly forbidden by the Nazis, yet clearly taken by one of them.
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Aftermath of Execution
2015.2.9b
Greyed black and white photograph of a mass grave. Dead bodies in the ground, a line of soldiers in dark colors stand above it. Barracks in the background.
Information Provided by Michael D. Bulmash: An especially rare and graphic candid photograph with deckled edges. Fifteen soldiers in greatcoats are marching along the edge of a pit as an officer looks down upon the bodies of the newly-killed prisoners and as another soldier in the pit appears to administer a coup de grace to a dying man with an uplifted arm. Such photos were strictly forbidden by the Nazis, yet clearly taken by one of them.
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Real Photo Polish Postcards of Nazi Atrocities
2012.1.100a
Black and white photograph of Nazis shooting a group of people with printed postcard lines and caption on back.
Information Provided by Michael D. Bulmash: German firing squad shooting civilians in the woods near Bochnia.
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Real Photo Polish Postcards of Nazi Atrocities
2012.1.100b
Black and white photograph of Nazis undressing corpses with printed postcard lines and caption on back.
Information Provided by Michael D. Bulmash: Post-execution photo of civilians undressing and burying bodies under watchful eyes of Germans.
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Real Photo Polish Postcards of Nazi Atrocities
2012.1.100d
Black and white photograph of Nazis watching naked Jews with printed postcard lines and caption on back.
Information Provided by Michael D. Bulmash:
Jews – men and a young boy - stripped naked, hovering over a pit awaiting execution.
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Real Photo Polish Postcards of Nazi Atrocities
2012.1.100e
Black and white photograph of a line of corpses with printed postcard lines and caption on back.
Information Provided by Michael D. Bulmash:
Krakow: murdered Jews post-execution.
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Real Photo Polish Postcards of Nazi Atrocities
2012.1.100i
Black and white photograph of Jewish men standing and on their knees wearing armbands with printed postcard lines and caption on back.
Information Provided by Michael D. Bulmash:
Jewish men, with armbands, forced to humiliate themselves playing leapfrog to the delight of Germans. Jewish onlookers.
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Real Photo Polish Postcards of Nazi Atrocities
2012.1.100j
Black and white photograph of children lined up with printed postcard lines and caption on back.
Information Provided by Michael D. Bulmash: Children in Lodz ghetto, under the watchful eye of their elders, being loaded on trains for transport to death camps.
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Photograph Known as The Last Jew in Vinnitsa
2012.1.397
Front: Man sitting in front of a mass grave of many bodies. A man in Nazi uniform points a gun at the first man's head. Behind him are a number of soldiers. Along side of image is the following text: 5/2/1961: CHICAGO: Photo obtained by Al Moss, of Chicago, a former Nazi concentration camp prisoner, shows the execution of a Polish Jew by a German officer at a mass grave somewhere in Poland. Moss said he obtained the picture in Munich in May, 1945 soon after his liberation by American 3rd Army troops. He said he wanted the people of the world "to know what went on in Eichmann's time." UPI TELEPPHOTO-psh.--(CHICAGO OUT) -- Back: Handwritten 'Germany' and 'Atrocities'. One red stamp with date of May 5, 1961. One black rectangular stamp 'PLEASE CREDIT UNITED PRESS INTERNATIONAL PHOTO...'
Information Provided by Michael D. Bulmash:
Iconic press photograph with commentary of what had become known as The Last Jew in Vinnitsa. The original photograph was allegedly from a soldier’s album. The text that appears along the side of the photograph is reproduced above in the Description of the photo. The photograph portrays in all its gruesome horror the Einsatzgruppen’s preferred means of dealing with the Jews in the Ukraine prior to the industrialized murder perfected at Auschwitz. German historian Jurgen Matthaus places the event in Berdichev and not Vinnitsa. Almost 35,000 Jews - men, women and children - were murdered in Berdichev over the course of three Aktions that utilized Ukrainian militia as well.
