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Date
1-13-1995
Format
Review
Location of Exhibition Event
Kunstverein, Heidelberg
Publisher
Art International
City
Paris
Description
This is a abstract from an exhibition catalogue. The author discusses how Jie-Chang Yang used his calligraphy and wash and ink paintings to deconstruct the exoticized image of Chinese art. Some manufacturing details of Yang's work are introduced later in the essay. Jie-Chang Yang's idea of the relation between man and nature and man and culture is embodied via these arts. (Zhuocheng Jiang'26)
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