Creator

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Creation Date

574/575 CE

Geography

Minted in Thessaloniki, Greece.

Culture

Roman, Byzantine

Medium

Copper

Dimensions

20 mm

0.198 oz. (5.6 g)

Credit Line

Purchase by the Department of Art History, 2018

Accession Number

2018.3

Provenance

Purchased by the Department of Art History from Charles Edwin Puckett in Akron, Ohio in May 2018.

Condition

On the obverse, Justin’s figure is more defined on the left and is in higher relief. Sophia’s figure on the right shows more wear and is in lower relief. On the reverse, the left side of the K is also more defined, while the right side is in lower relief and more worn. Remnants of the channels from the manufacturing process extend from the perimeter of the coin.

Signatures, Inscriptions, and Markings

Obverse

D(ominus) N(oster) IVSTI|[NVS P(er)P(etuus) AV(gustus)] = Our lord, Justin, [Eternal Augustus]

Reverse

Center: K = 20 nummi

Left & Right of K: ANNO X = Year 10 (of Justin II’s reign, 574/5)

Above the K: Θ+C

Below the K: T(h)ES(alonica) = Thessaloniki

References

Bellinger, Alfred R., and Philip Grierson, eds. 1966. Catalogue of the Byzantine Coins in the Dumbarton Oaks Collection and in the Whittemore Collection, vol. 1, Anastasius I to Maurice, 491–602. Washington, DC: Dumbarton Oaks Research Library and Collection, pp. 223–24, no. 78.

Virdell, Maya. 2022. "The Rebellious Iconography of Female Rule in Byzantium." Paper presented at the 6th Annual Missouri Western State University/Albrecht-Kemper Museum of Art Undergraduate Art History Symposium.

Description

This Byzantine coin of Justin II and Sophia is a copper half-follis. On the reverse the K indicates its value, 20 nummi, and the inscriptions reveal Thessaloniki’s mint mark and the year of Justin’s reign, dating the coin to 574/575 CE. The image on the obverse, while largely degraded and highly schematic, features the two co-rulers sitting enthroned, haloed, and wearing imperial and consular garb. Justin II is on the left holding the globus cruciger in his right hand. Sophia is on the right holding the cruciform scepter. Besides the insignia that they hold, there is little that distinguishes one figure from the other. A portion of an inscription that surrounded both figures would have read in full: "Our lord, Justin, [Eternal Augustus]" — a standard inscription on Byzantine coins.

Coins were some of the most conservative visual media in the Byzantine Empire. Emperors typically preserved the iconography of their predecessors with minor variations, changing only the portrait and inscription to reflect the new ruler. This coin represents a major shift in this tradition as it is the first instance in this medium where an emperor and empress are depicted together as co-rulers.

The fact that this image appears on copper coins, and was minted in many locations around the Mediterranean, meant that the message of shared rulership between Justin and Sophia would have been seen by all classes of people in all corners of the empire.

This innovative design draws upon the Late Roman tradition of depicting two male rulers together, as seen on the gold solidus, issued in 430 CE, celebrating the consulship of the Emperor Theodosius II and his son-in-law Valentinian III. On this coin, the two rulers are shown side-by-side, facing frontally, sitting on the throne, dressed in consular costumes, and are nimbate. While the depiction of Justin and Sophia on their half-follis is similar to that of Theodosius and Valentinian on their gold solidus, the differences are what make Justin and Sophia’s coin more striking. Whereas the hieratic scale clearly marks Theodosius as the senior, and more important, figure in relationship to Valentinian, no such scaling is used to differentiate Justin and Sophia. Additionally, while the bodies of Theodosius and Valentinian are separated to clearly distinguish the two sovereigns, Justin and Sophia are sitting so close together that they appear as one body. In addition, Justin and Sophia are depicted on the obverse as opposed to the reverse, which signifies their joint importance and status as rulers. Through this comparison, we are able to better recognize the innovations of Justin and Sophia’s coin. Sophia is presented not as subservient to Justin; rather, their equal stature and virtually indistinguishable features indicate their relatively shared and equal status.

Empress Sophia’s presence on this half-follis draws from a tradition of female rulers demonstrating their authority through coinage as seen with the empresses of the Constantinian and Theodosian dynasties of the fourth and fifth centuries.

Ultimately, Empress Sophia paved the way for the visual expression of female authority, which is reflected in the later coinage of Empress Irene of Athens (r. 797-802 CE). Empress Irene was the first empress to be depicted alone on both sides of her coinage, and was the first woman to solely rule the Byzantine Empire.

Bibliography

Cameron, Averil. 1975. “The Empress Sophia.” Byzantion 45: 5–21.

Bellinger, Alfred R., and Philip Grierson, eds. 1966. Catalogue of the Byzantine Coins in the Dumbarton Oaks Collection and in the Whittemore Collection, vol. 1, Anastasius I to Maurice, 491–602. Washington, DC: Dumbarton Oaks Research Library and Collection.

Holum, Kenneth G. 1982. Theodosian Empresses: Women and Imperial Dominion in Late Antiquity. Berkeley: University of California Press.

Kalavrezou, Ioli, ed. 2003. Byzantine Women and Their World. Cambridge, MA: Harvard Art Museums.

Maya Virdell (’24), May 2022

2018.3-obverse.jpg (537 kB)
Obverse

2018.3-reverse.jpg (454 kB)
Reverse

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