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Submissions from 2019

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Grand Illusions: American Art and the First World War, by David M. Lubin, Austin Porter

Submissions from 2017

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Image, epigram, and nature in Middle Byzantine Personal Devotion, Brad Hostetler

Globalization, Post-Colonialism and contemporary Art, Yan Zhou

Submissions from 2016

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The function of text: Byzantine reliquaries with epigrams, 843-1204, Brad Hostetler

Submissions from 2015

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Genesis of the Issue of Culture: The Cultural Fever and Avant-Garde of the 1980s, Yan Zhou

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Odyssey of Culture: Wenda Gu and His Art 文化之旅:谷文达和他的艺术(英文版), Yan Zhou

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The Discovery of the Centrality of Culture in Art: Wenda Gu, Yan Zhou

Submissions from 2014

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Austin Porter. Review of "Sculpting Doughboys: Memory, Gender, and Taste in America's World War I Memorials" by Jennifer Wingate., Austin Porter

Submissions from 2013

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Paper bullets: the Office Of War Information and American World War II print propaganda, Austin Porter

Submissions from 2012

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The Limburg Staurotheke: A Reassessment, Brad Hostetler

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Art Institutions: Critique and Its Institution, Yan Zhou

Zhang Jianjun: Visual Inquiry into Existence and Temporality, Yan Zhou

Submissions from 2011

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Push Me, Pull You: Imaginative and Emotional Interaction in Late Medieval and Renaissance Art, Laura Gelfand and Sarah Blick

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The Iconography of Text: The Placement of an Inscription on a Middle Byzantine Reliquary, Brad Hostetler

Submissions from 2010

Comparative Study: Texts in Qi Baishi and Conceptual Art, Yan Zhou

Submissions from 2009

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Interview with Zhou Yan on Chinese Contemporary Art in the 1980s, by Asia Art Archive, Yan Zhou

Writing an English-version History of Chinese Contemporary Art from Chinese Contemporary Perspective, Yan Zhou

Submissions from 2008

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Sculpting Lincoln: Vinnie Ream, Sarah Fisher Ames, and the Equal Rights Movement, Melissa Dabakis

Rebuilding the Status of Text: On Relationship between Text and Image, Yan Zhou

Submissions from 2006

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Paul Binski, Becket's Crown: Art and Imagination in Gothic England, 1170–1300 . New Haven, Conn., and London: Yale University Press, for the Paul Mellon Centre for Studies in British Art, 2004. Pp. xvi, 343; color frontispiece and 239 black-and-white and color figures. $65., Sarah Blick

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Chinese brand and Chinese Method: On the Exhibition The Wall: Reshaping Contemporary Chinese Art, Yan Zhou

Submissions from 2005

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Art of the Middle Ages. (World of Art), Sarah Blick

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Janetta Rebold Benton, Art of the Middle Ages . (World of Art.) New York: Thames and Hudson, 2002. Paper. Pp. 320; black-and-white frontispiece, 247 black-and-white and color figures, and 1 map. $18.95., Sarah Blick

Submissions from 2002

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Painting professionals : women artists & the development of modern American art, 1870-1930, Melissa Dabakis

Submissions from 1995

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Douglas Tilden's Mechanics Fountain: Labor and the "Crisis of Masculinity" in the 1890s, Melissa Dabakis

Submissions from 1994

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Martyrs and Monuments of Chicago: The Haymarket Affair, Melissa Dabakis

Submissions from 1993

Gu Wenda's Oedipus, Yan Zhou

Submissions from 1989

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Formulating the Ideal American Worker: Public Responses to Constantin Meunier's 1913-14 Exhibition of Labor Imagery, Melissa Dabakis

Submissions from 1988

Art, Philosophy, Culture: On the scheme of Wang Guangyi's 'Post-Classic' Series, Yan Zhou

Submissions from 1987

Diachronic Investigation on Psychology of Visual Art: Study of Gombrich's Art and Illusion, Yan Zhou