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Submissions from 2017

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The Artist as Entrepreneur, Lewis Hyde and et al.

Submissions from 2015

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George Gershwin’s Self-Portrait in the Mirror with My Mother, Katharine Weber

Submissions from 2013

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Posterior Priorities: Henry James, Oscar Wilde, and Then Some, Jesse Matz

Submissions from 2012

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Moving Images, Jennifer Clarvoe

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J. B. Priestley in the Theater of Time, Jesse Matz

Submissions from 2011

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“Common Variants” and “Unusual Features”: Shorthand and the Copy for the First Quarto of Lear, Adele Davidson

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Transnational Crossings: Sophia Hawthorne's Authorial Persona from the "Cuba Journal" to "Notes in England and Italy.", Ivonne Garcia

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Modernist Time Ecology, Jesse Matz

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‘Quelque romancier hardi’: The Literary Bergsonist, Jesse Matz

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The Art of Time, Theory to Practice, Jesse Matz

Submissions from 2010

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Scott and the Romantic Dog, James P. Carson

Submissions from 2009

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Puerto Ricans find 'Dream' elusive, Ivonne Garcia

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How to do Time with Texts, Jesse Matz

Submissions from 2008

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What She Thought, Jennifer Clarvoe

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Dorothy Richardson’s Singular Modernity, Jesse Matz

Submissions from 2007

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Masculinity Amalgamated: Homosexuality, Anti-Imperialism, and Forster’s Kipling, Jesse Matz

Submissions from 2006

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Introducing Modernism, Jesse Matz

Submissions from 2005

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Review of Ambassadors of Culture: The Transamerican Origins of Latino Writing, Ivonne Garcia

Submissions from 2004

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'The Little Republic' of the Family: Goldsmith’s Politics of Nostalgia, James P. Carson

Submissions from 2002

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You Must Join My Dead: E. M. Forster and the Death of the Novel, Jesse Matz

Submissions from 2000

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Maurice in Time, Jesse Matz

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“That the science of cartography is limited”: Historiography, gender, and nationality in Eavan Boland's “writing in a time of violence”, Kim McMullen

Submissions from 1998

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"King Lear" in an Age of Stenographical Reproduction or "On Sitting Down to Copy "King Lear" Again", Adele Davidson

Submissions from 1996

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"Some by Stenography"? Stationers, Shorthand, and the Early Shakespearean Quartos, Adele Davidson

Submissions from 1995

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Walter Pater’s Literary Impression, Jesse Matz

Submissions from 1993

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THE TRIUMPHES OF GOLDE: ECONOMIC AUTHORITY IN THE JACOBEAN LORD MAYOR'S SHOW, Sergei Lobanov-Rostovsky

Submissions from 1992

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Commodification and the Figure of the Castrato in Smollett’s Humphry Clinker, James P. Carson

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Beyond the Mirror Stage: The New Historicism, Jesse Matz